Felícia Fuster. Visual Haikus

From October 17, 2019 to January 20, 2000

Opening: Thursday, October 17, 2019 at 7 pm.
Curator: Pilar Parcerisas.

Poetry and painting are two indestructible ways of their personality. If poetry is "fight" and "body", the plastic work is composition, knot, movement gesture, which crosses the space as the word slides over the white paper. These collages on blue surrounded by black become lyrical patterns made with fragments of engraving prints, intuitively arranged in full and empty spaces. Gestures calligraphy on sidereal, unrealistic, dreamlike spaces, in which the fragment, rhythm, deconstruction counts.

Its precision and simplicity relate them easily to the oriental values of emptiness and silence. As in the haikus I wrote, the long pause in the reading becomes silent, but also a plastically empty space, just as if it were a sculpture. However, we have related haikus written with these visual compositions and we have searched for an equivalent conceptual balance.

These austere collages seek the complicity of the spectator and / or the reader, because they can be read as visual haikus or poetic signs. The lyrical abstraction that began Kandinski and Klee is amended here by these Eastern-style compositions, which emerge from their poetic, existentialist and humanistic poem, as a visual landscape that is found with Haiku for its extreme austerity as a poetic form.

As in a mirror of cosmic dimensions, the viewer will be reflected, pushed to project the image itself and will be encircled in the void, enveloped by a visual knot capable of giving meaning to a new experience, one side to the brush and the other to the word.

Pilar Parcerisas

Free entrance.
The room is accessible for people with reduced mobility.

Activities